That is not a slight on one of my all time favorite bands*but the title of their latest release. On it they cover Roger Miller’s masterful “Not In Nottingham” (from Robin Hood), Randy Newman’s “I Will Go Sailing No More” (from Toy Story) as well as other great music from The House of Mouse. (And to think I scooped Mrs. CollateralDamage – who writes the Disney focused blog Broke Hoedown – on this. WOOT!)
This is not the first time that “Just Another Band from East LA” has done the Mouse. On the great compilation Stay Awake they performed “I Wanna Be Like You” from The Jungle Book, which was recorded for the movie by the great Louis Prima (and is included on LLGD). I bought Stay Awake on vinyl back in the day (1988) and highly recommend getting the CD. It also has Sun Ra (!!!) doing “Pink Elephants On Parade” and Tom Waits’ version of “Heigh Ho (Dwarf’s Marching Song).”
Stay Awake was one of several odd and wonderful compilations that came out around then. The other one I have is “Lost In The Stars: The Music of Kurt Weill” (1985). While it does have Sting doing “Mack The Knife” this is more than balanced out by the other tracks including Lou Reed’s “September Song,” Stan Ridgeway (of Wall of Voodoo) does a sublime and terrifying version of “Canon Song,” Marianne Faithfull’s exquisitely ragged “Ballad of the Soldier’s Wife,” Todd Rundgren doing “Call From The Grave,” and many other great ones. It’s out of print, which is a shame, and used copies are selling for $23 and up. C’mon over to my house and I’ll play it for you for free.
*In the ‘80s when people would refer to U2 as The Greatest Band In The World all I could ever think (and sometimes said) was “Did Los Lobos breakup?”
Broke Hoedown reports Disney ran into some collateral damage when it renamed it’s soon-to-open Monsters Inc. Laugh Floor Comedy Club to just plain old Monsters Inc. Laugh Floor which gives it the acronym MiLF.
If you don’t count Collateral Damage Jr, that is. Mrs. CD grew tired of waiting for me to post her insights into The Mouse That Roars (Disney) and has started her own blog on just that topic called Kitty Chan’s Broke Hoedown. (To understand the title go here.) But before she went (without two weeks notice, I might add) she left a few more very funny observations:
Apropos of nothing, which is only fitting given your blog…
Building on the success of the Pirates of the Caribbean movie franchise, Disney theme parks are now featuring a Captain Jack Sparrow character wandering around for autographs, photo ops, etc. This is particularly amusing because as far as I’ve observed, children are not all that interested in meeting him. Instead, he is followed by a flock of besotted middle-age women, all anxious for a moment of his time, and perchance a photo with the man. (In the interest of full disclosure, I should note that when I got my chance for a picture, there was a slight problem with the camera. I will always remember that as the day that I almost caught a picture of myself with Captain. Jack. Sparrow!)
I would like a word or two with whomever’s responsible for coordinating the ticket pricing strategies for Disney parks worldwide. Us east-coast Disney fans have spent a tremendous amount of time and energy learning about the relatively-new Magic Your Way ticket pricing strategy, and watching the prices soar like Dumbo. Disneyland has a whole different ticket pricing strategy, which is somewhat more in synch with the pricing systems for the Tokyo and Paris Disneyland parks (though the latter has been tweaked to fit better with the all-inclusive style of European vacations). Could we have a little more consistency among the parks, please? Surely this sort of confusion wasn’t part of Walt’s dream.
And while I’m talking with the ticket pricing strategy guru, could we also talk a bit about the lack of any sort of coordinated effort for those of us who love all the Disney parks, worldwide? Last year, CD Jr and I visited both Disneyland Paris and Walt Disney World, perhaps a tad unusual but certainly not unheard of. In many other years we’ve hit the Disney parks on both US east and west coasts, which is almost par for the course for some percentage of truly hardcore fans. Why not institute an International Annual Pass? Or at the very least, how bout a frequent visitor club, where some special trinket or benefit is awarded after having visited all the parks worldwide? Sure, it wouldn’t have direct impact on Disney’s bottom line; nobody’s going to visit five international parks just to get a pin. But it would be just the sort of special, guest-oriented, “magical” touch on which the Disney brand is built.
And it’s got a nice logo, too. She made it herself she did.